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Best Indian sarees online shopping: The garment evolved from a popular word ‘sattika’ which means women’s attire, finds its mention in early Jain and Buddhist scripts. Sattika was a three-piece ensemble comprising the Antriya – the lower garment, the Uttariya – a veil worn over the shoulder or the head and the Stanapatta which is a chest band. The three-piece set was known as Poshak, the Hindi term for costume. Antriya resembled the dhoti or the fishtail style of tying a sari. It further evolved into Bhairnivasani skirt, which went on to be known as ghagra or lehenga. Uttariya evolved into dupatta and Stanapatta evolved into the choli. Read more details on shop Bengal cotton sarees online.

A factory-made cotton sari can cost as little as 500 rupees (US$7), while a handcrafted sari that takes anywhere from a few weeks to a few months to make can cost upwards of 200,000 rupees. The most expensive sari was sold for 3.93 million rupees in 2008. Over the past few decades, the demand for cheaper saris has made power-loom saris popular, making it difficult for hand weavers to compete. However, of late, handloom weaves are being reinterpreted in contemporary designs, and forgotten craftsmen are making a comeback. A beautiful sari is a living, breathing and enduring piece of art. It holds in its folds the history of an entire subcontinent, the skill of its craftsmen and the memories of the women who lovingly cared for it for the next generation.

According to Chishti, there are more than one hundred ways to drape a sari depending on region, fabric, length and width of the garment, and what the wearer might be doing that day. She created a series of videos showcasing dozens of ways to tie one on. “The younger generation wants to be able to experiment with it, to wear it in various ways,” she says. Among the techniques for wearing a sari: the ubiquitous Nivi drape (pleated, wrapped around the waist, with the pallu (the embellished end of the garment) flung over the left shoulder); and the rural Dharampur drape, which cleverly transforms a long rectangle of material into knee-length bloomers. Most sari presentations require a choli (cropped top) and slender half petticoat, the latter often helps to anchor all that textile wrapping and fabric manipulation. Some sari folds need to be held with stitches or pins, others are more free form, like fabric origami for the body.

Fashion is also essentially a self-sustaining art that keeps evolving. In 2008, the French fashion label Hermès debuted their “Hermès saree” line, just in time for the Diwali festival. In 2008, Alexander McQueen’s ready-to-wear collection was shown in Paris. It was inspired by the designer’s journey to India and was a fusion of Indian and British fashion. Through the production of fusion designs, global designers are connecting to Indian culture and its exquisite customs. Foreign designers must comprehend Indian fashion aspects, personality, culture, history, and customs to “Indianize” items, which is critical for their growth and acceptance in the local market. The beauty of a saree is that it belongs to whoever wears it, irrespective of the difference in the draping styles. The saree, in its nine yards, carries the evolution that it has gone through, it embraces it in every pleat. The first mention of saree can be found in the epic of Mahabharata and therefore with Draupadi’s unending saree, the tale of saree will go on and on.

Most of our products are handcrafted and the weavers have been chosen with care in order to ensure the best quality of handwork is brought to our customers. In fact , some of our empaneled weavers have won awards at the highest national level and have been associated with this work for generations. Our products and weaves are authentic, artisanal and sourced sustainably , curated by Karigars from different parts of India like West Bengal, Varanasi, Rajasthan, Gujarat etc. Discover extra info on https://silkpetalss.com/.

The popularity of the sari has a great deal to do with its versatility. The sari can be draped in nearly a hundred ways, allowing the wearer to style it so as to look formal or casual. Most of the drape styles are specific to different regions of India and, just like the food and regional languages, are a result of context, geography and function, explains 39-year-old Malika Verma, co-creator with Rta Kapur Chishti, 72, a sari historian, textile scholar and co-author of Saris: Tradition and Beyond, of the The Sari Series, a series of 84 short films documenting India’s regional sari drapes.